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A Year of Poetry – Day 100

My young son asks me: Must I learn mathematics?
What is the use, I feel like saying. That two pieces
Of bread are more than one’s about all you’ll end up with.
My young son asks me: Must I learn French?
What is the use, I feel like saying. This State’s collapsing.
And if you just rub your belly with your hand and
Groan, you’ll be understood with little trouble.
My young son asks me: Must I learn history?
What is the use, I feel like saying. Learn to stick
Your head in the earth, and maybe you’ll still survive.

Yes, learn mathematics, I tell him.
Learn your French, learn your history!

— Bertolt Brecht, My Young Son Asks Me

A Year of Poetry – Day 99

Ah, what can ail thee, wretched wight, 
  Alone and palely loitering;
The sedge is withered from the lake, 
  And no birds sing.

Ah, what can ail thee, wretched wight, 
  So haggard and so woe-begone?
The squirrel’s granary is full, 
  And the harvest’s done.

I see a lilly on thy brow,
  With anguish moist and fever dew; 
And on thy cheek a fading rose
  Fast withereth too.

I met a lady in the meads
  Full beautiful, a faery’s child; 
Her hair was long, her foot was light,
  And her eyes were wild.

I set her on my pacing steed, 
  And nothing else saw all day long;
For sideways would she lean, and sing 
  A faery’s song.

I made a garland for her head, 
  And bracelets too, and fragrant zone;
She looked at me as she did love, 
  And made sweet moan.

She found me roots of relish sweet, 
  And honey wild, and manna dew;
And sure in language strange she said, 
  I love thee true.

She took me to her elfin grot, 
  And there she gazed and sighed deep,
And there I shut her wild sad eyes-- 
  So kissed to sleep.

And there we slumbered on the moss, 
  And there I dreamed, ah woe betide,
The latest dream I ever dreamed 
  On the cold hill side.

I saw pale kings, and princes too, 
  Pale warriors, death-pale were they all;
Who cried--“La belle Dame sans merci 
  Hath thee in thrall!”

I saw their starved lips in the gloam 
  With horrid warning gaped wide,
And I awoke, and found me here 
  On the cold hill side.

And this is why I sojourn here 
  Alone and palely loitering,
Though the sedge is withered from the lake, 
  And no birds sing.

-- John Keats, La Belle Dame Sans Merci

The Voter and the Politician

The Voter, dressed from head to toe in black, crept up the Cliffs of Despair.  He had been making good progress for a while, but the evil Puppet Master had cut the rope, hoping to dump him down onto the Rocks of Disillusionment.  Luckily, the Voter had been able to grab onto the Cliffs’ craggy surface, and had labored ever since to reach the top and the ballot box waiting for him there.

The Puppet Master had gathered up two of his minions, the first a manlike creature with oddly colored orange skin and small hands, and the other a woman with a grating voice and a look as if someone had shoved something disgusting under her nose, and made for the hills beyond the cliffs.  He left behind the Politician, whom he was glad to be shut of.  He muttered under his breath about people with scruples as he raced to catch up with his toadies.

The Politician practiced a few of his favorite rhetorical flourishes as he waited, first parrying a criticism this way, then thrusting out a well-briefed opinion that way.  Finally, he peeked over the side of the cliff, seeing the Voter climbing over a particularly steep outcropping.

“I don’t suppose there is any way you could vote for me, is there?” the Politician called down. “I’d like to know how you plan to vote.”

The Voter looked up in disdain.  “Look, this isn’t particularly easy, so I’d appreciate it if you could either be quiet or do something useful, like throwing down a rope.”

The Politician looked around and saw the length of rope the Puppet Master had left behind.

“I could get you free stuff!” he exclaimed excitedly. “Let you stare at your navel in college for a few more years!  I could shut down the border if that’s what you want?”

“And I’m supposed to believe you?” the Voter retorted, pulling himself up onto a narrow ledge.  “No, I’m afraid you’ll just have to wait until after the election to see how I vote.”

“I could swear on my honor as a Politician that I would follow through,” the Politician suggested.

“No good!” the Voter said with a grunt.  He was pulling himself up onto a rock only a few feet from the top.  “I’ve known too many politicians.”

The Politician considered that for a moment, then got a somber look on his face.

“I swear that if you vote for me, I will rescind each and every executive order issued since 2008,” he said, his powerful, earnest voice carrying on the wind.

The Voter, who had just poked his head above the top of the cliff and was hoisting himself up, looked up at him.  With a smile, he said gently, “Give me my ballot.”

A Year of Poetry – Day 98

This is the house that Jack built.
This is the malt
That lay in the house that Jack built.

This is the rat,
That ate the malt
That lay in the house that Jack built.

This is the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the cock that crowed in the morn,
That waked the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

This is the farmer sowing the corn,
That kept the cock that crowed in the morn.
That waked the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.

— Mother Goose, The House That Jack Built

A Year of Poetry – Day 97

A Pathetic Ballad

Ben Battle was a soldier bold,
And used to war’s alarms;
But a cannon-ball took off his legs,
So he laid down his arms.

Now as they bore him off the field,
Said he, ‘Let others shoot;
For here I leave my second leg,
And the Forty-second Foot.’

The army-surgeons made him limbs:
Said he, ‘They’re only pegs;
But there’s as wooden members quite,
As represent my legs.’

Now Ben he loved a pretty maid, —
Her name was Nelly Gray;
So he went to pay her his devours,
When he devoured his pay.

But when he called on Nelly Gray,
She made him quite a scoff;
And when she saw his wooden legs,
Began to take them off.

‘O Nelly Gray! O Nelly Gray!’
Is this your love so warm?
The love that loves a scarlet coat
Should be a little more uniform.

Said she, ‘ I loved a soldier once,
For he was blithe and brave;
But I will never have a man
With both legs in the grave

‘Before you had those timber toes
Your love I did allow;
But then, you know, you stand upon
Another footing now.’

‘O Nelly Gray! O Nelly Gray!
For all your jeering speeches,
At duty’s call I left my legs
In Badajos’s breaches.’

‘Why, then,’ said she, ‘you’ve lost the feet
Of legs in war’s alarms,
And now you cannot wear your shoes
Upon your feats of arms!’

‘O false and fickle Nelly Gray!
I know why you refuse:
Though I’ve no feet, some other man
Is standing in my shoes.

‘I wish I ne’er had seen your face;
But, now, a long farewell!
For you will be my death’ — alas!
You will not be my Nell!’

Now when he went from Nelly Gray
His heart so heavy got,
And life was such a burden grown,
It made him take a knot.

So round his melancholy neck
A rope he did intwine,
And, for his second time in life,
Enlisted in the Line.

One end he tied around a beam,
And then removed his pegs;
And, as his legs were off — of course
He soon was off his legs.

And there he hung till he was dead
As any nail in town;
For, though distress had cut him up,
It could not cut him down.

A dozen men sat on his corpse,
To find out why he died, —
And they buried Ben in four cross-roads
With a stake in his inside.

— Thomas Hood, Faithless Nelly Gray

A Year of Poetry – Day 96

A sea of foliage girds our garden round,
But not a sea of dull unvaried green,
Sharp contrasts of all colors here are seen;
The light-green graceful tamarinds abound
Amid the mango clumps of green profound,
And palms arise, like pillars gray, between;
And o’er the quiet pools the seemuls lean,
Red-red, and startling like a trumpet’s sound.
But nothing can be lovelier than the ranges
Of bamboos to the eastward, when the moon
Looks through their gaps, and the white lotus changes
Into a cup of silver. One might swoon
Drunken with beauty then, or gaze and gaze
On a primeval Eden, in amaze.

— Toru Dutt, Sonnet

A Year of Poetry – Day 95

Of this worlds theatre in which we stay,
My love like the spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a tragedy.
Yet she, beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughs and hardens evermore her heart.
What then can move her? if nor merth nor mone,
She is no woman, but a senceless stone.

— Edmund Spenser, Sonnet 54

A Year of Poetry – Day 94

Youth of France, sons of the bold,
     Your oak-leaf victor-wreaths behold!
     Our civic-laurels—honored dead!
       So bright your triumphs in life's morn,
       Your maiden-standards hacked and torn,
     On Austerlitz might lustre shed.

     All that your fathers did re-done—
     A people's rights all nobly won—
     Ye tore them living from the shroud!
       Three glorious days bright July's gift,
       The Bastiles off our hearts ye lift!
     Oh! of such deeds be ever proud!

     Of patriot sires ye lineage claim,
     Their souls shone in your eye of flame;
     Commencing the great work was theirs;
       On you the task to finish laid
       Your fruitful mother, France, who bade
     Flow in one day a hundred years.

     E'en chilly Albion admires,
     The grand example Europe fires;
     America shall clap her hands,
       When swiftly o'er the Atlantic wave,
       Fame sounds the news of how the brave,
     In three bright days, have burst their bands!

     With tyrant dead your fathers traced
     A circle wide, with battles graced;
     Victorious garland, red and vast!
       Which blooming out from home did go
       To Cadiz, Cairo, Rome, Moscow,
     From Jemappes to Montmirail passed!

     Of warlike Lyceums{1} ye are
     The favored sons; there, deeds of war
     Formed e'en your plays, while o'er you shook
       The battle-flags in air aloft!
       Passing your lines, Napoleon oft
     Electrified you with a look!

     Eagle of France! whose vivid wing
     Did in a hundred places fling
     A bloody feather, till one night
       The arrow whelmed thee 'neath the wave!
       Look up—rejoice—for now thy brave
     And worthy eaglets dare the light.

-- Victor Hugo, The Three Glorious Days

A Year of Poetry – Day 93

You are young, and I am older;
You are hopeful, I am not –
Enjoy life, ere it grow colder –
Pluck the roses ere they rot.

Teach your beau to heed the lay –
That sunshine soon is lost in shade –
That now’s as good as any day –
To take thee, Rosa, ere she fade.

— Abraham Lincoln, To Rosa

Snippet

This is a chapter from a story that’s been rolling around in my head for a couple of years. I actually finished it, then realized that I’d ripped off somebody else’s premise, so it went back in the “do someday” bin.

While I’ve been working on the second Minivandian’s book, it’s been whispering in my ear to get at least a little attention.  Not sure how this is going to turn out yet, but I’ll probably do it as a short story while I’m doing research for the second Via Serica book.

Let me know what y’all think.

Warning, this one has a bit of strong language.


 

I took the elevator down to street level rather than take the stairs.  I knew that Sid or one of his flunkies was watching me through one of the myriad cameras he had bolted to the inside and outside of the building.  Taking the ancient elevator down would give me a moment to think without giving them anything to put on the blooper reel later.  

That much money meant that either someone really cared about these kids, or someone figured that I wouldn’t be around to collect the second half of the fee.  Hell, it might just be both.  They definitely knew that waving that kind of cash around would get someone to bite. I was feeling a tug at my bottom lip as the hook got set nice and tight.

When I walked out of the elevator and across the lobby to the front doors, the locks buzzed open for me.  Sid might be a paranoid, but he was a polite paranoid.  Of course, he owed me.  I was the one that pulled him out of the sewer after the thing that poisoned him and gave him his rictus decided that Sid wasn’t worth dying over. I never told him that I went down there because he owed me money on a handshake deal, and I wasn’t going to let him die without paying.

Hitting the sidewalk, I looked up at the sky.  The moonless night was still dark, with no hint of pink on the eastern horizon.  I’m not superstitious, but unless I can’t help it I prefer to do this kind of work in the daytime. Only a few of the bad things in the world are either afraid of the sun or downright hurt by it, but being able to see what was in front of me without the aid of a flashlight just felt better.  Since it was only a few minutes across the bridge this time of day, I had a chance to get a bite to eat and look over the case file before heading over.

The air had the consistency of frothy soup, which is pretty normal for the bottom of the Ohio valley in the middle of a summer night.  It was almost four in the morning, and the temperature and humidity were both somewhere in the 80’s.  Ah, Louisville, you never fail to make me yearn for the luxury of such garden spots as Greenland, or maybe Point Barrow.

A scan of my surroundings showed that the junkies were, for the most part, right where I had left them: stationary and nodding off.  The exception to this was up on his feet, across the street from Sid’s building, and waving his arms at a small figure wearing a hoodie.  The yellow glare of the streetlight above him threw his shadow across the sidewalk and the face of the woman he was haranguing.

“Baby, I got whatever you need!” he was saying in a loud, high voice, his hands and head punctuating his words in jerks and slashes.  “I got weed, smack, coke, meth, whatever!  All you gotta do is be a little bit friendly, and Jaquan will let you have a taste for free!”

“I don’t know, baby.  What you lookin’ for?” asked the woman in the hoodie.  Her voice had a sort of squeaky timber to it, and her accent was one hundred percent street.  As she spoke, she put her hand to the zipper of her hoodie and pulled it down a couple of inches.  The skin of her throat and upper chest glistened in the lamplight.  When I saw her radiant smile, I swore under my breath.

“Hey!” I said as I stepped from behind my truck.  He didn’t seem to notice, but the target of his attentions moved her head a little to get a look at me.  Yep, it was her.

“Hey!  Stereotype! Leave her be!” I said again, this time a little louder and a lot deeper.  Almost unconsciously, I pulled my overshirt back behind my holster as I stepped into the pool of light in the middle of the street.

Jaquan the junkie and wanna-be unlicensed pharmacist turned his head to the side when he heard me coming. “Fuck you!” he bellowed, turning around with his hands out to his sides.  A more religious man would have thought he had his hands out as if he were being crucified, and that probably wasn’t far from what was going to happen if things got out of hand.  To me, he looked like a fool that wasn’t aware of the danger he had all around him.

“Man, who the fuck you think you are?” he bellowed as he took a step at me.  When my face came completely out of the dark, he stopped dead and dropped his hands.  “Aw, shit, man, I didn’t know it was you!  I was just trying to do a little business here.  I didn’t know she was yours.” he said as he started backing away from both the woman and me.

“She isn’t mine, but she sure as shit ain’t yours, neither.  Get your skinny ass off my street before I decide to throw it in the river.  You hear me, Jaquan?” I said in a quiet, forceful voice as I stopped just inside the cone of the streetlight’s glare.

“No problem, Boogieman!  I got shit to do over on Liberty anyway.” he said, turning and starting to shamble away as quickly as his legs would take him.

“Sid tells me that he sees you around here again, I’m gonna beat your ass and then take you to your grandma’s house!  Now get the fuck out of here!” I growled.

Jaquan the Junkie turned the next corner to the rhythm of his brethren’s cackles in the doorways behind me.  I turned to the petite figure he had been ‘doing business’ with.  As she faced me, her delicate features came into focus.  She had big, soft brown eyes, an unlined brow, and full lips.  Her skin was the color of rich chocolate, and a few curls of her dark hair poked out under the hood of her jacket.  Her eyes twinkled as I approached her.

“Sarah, that’s hunting over bait.  You know Sid doesn’t like things like that happening around his place,” I said softly.  There was no need to talk any louder with Sarah, since she could have heard me whispering a block away.

“Marty Shelby, as I live and breathe.” she said in a cultured bluegrass accent, a smile coming to her face.  She’d replaced the squeaky tone she used with Jaquan with an easy purr that I’d known all my life.

I hate being called ‘Marty,’ and Sarah knew it.  Hell, there were probably only a few people alive who knew my name in the first place, and even Sid knew better than to call me ‘Marty’.  Only my grandmother and my parents had ever gotten away with calling me ‘Marty’, and they’d been in the ground for years.  Of course, Sarah had once remarked that she’d been owned by one of my great-something grandfathers, and she’d helped raise me, so I guess she was family.

“Luring in junkies so you can have a bite to eat is beneath you, lady.”

“A girl’s got to have a little fun, now doesn’t she?  I just needed something that was still warm and didn’t come out of a plastic bag,” she said, the smile transforming into a smirk.  

People like Sarah reject the title “vampire”, but they pretty much fit old Bram Stoker’s description.  They’re undying, at least not from old age, and they have a need to supplement their diet, every so often, with living, human blood.  Never seen her hypnotize anyone or turn herself into a bat, but she knew a few tricks.  She ought to.  Sarah had been at it since before the Civil War.  Matter of fact, she’s in every photograph or story about my family as far back as we can find.

Yep, there’s always been an Aunt Sarah.  

“You owe me breakfast,” she said pointedly, striding toward the passenger door of the truck.

“Come on,” I replied, opening my door, “I need a cup of coffee, anyway.”