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A Year of Poetry – Day 13

 Above all others, everywhere I see
       His image cold or burning!
     My brain it thrills, and oftentime sets free
       The thoughts within me yearning.
     My quivering lips pour forth the words
       That cluster in his name of glory—
     The star gigantic with its rays of swords
       Whose gleams irradiate all modern story.

     I see his finger pointing where the shell
       Should fall to slay most rabble,
     And save foul regicides; or strike the knell
       Of weaklings 'mid the tribunes' babble.
     A Consul then, o'er young but proud,
       With midnight poring thinned, and sallow,
     But dreams of Empire pierce the transient cloud,
       And round pale face and lank locks form the halo.

     And soon the Caesar, with an eye a-flame
       Whole nations' contact urging
     To gain his soldiers gold and fame
       Oh, Sun on high emerging,
     Whose dazzling lustre fired the hells
       Embosomed in grim bronze, which, free, arose
     To change five hundred thousand base-born Tells,
       Into his host of half-a-million heroes!

     What! next a captive? Yea, and caged apart.
       No weight of arms enfolded
     Can crush the turmoil in that seething heart
       Which Nature—not her journeymen—self-moulded.
     Let sordid jailers vex their prize;
       But only bends that brow to lightning,
     As gazing from the seaward rock, his sighs
       Cleave through the storm and haste where France looms bright'ning.

     Alone, but greater! Broke the sceptre, true!
       Yet lingers still some power—
     In tears of woe man's metal may renew
       The temper of high hour;
     For, bating breath, e'er list the kings
       The pinions clipped may grow! the Eagle
     May burst, in frantic thirst for home, the rings
       And rend the Bulldog, Fox, and Bear, and Beagle!

     And, lastly, grandest! 'tween dark sea and here
       Eternal brightness coming!
     The eye so weary's freshened with a tear
       As rises distant drumming,
     And wailing cheer—they pass the pale
       His army mourns though still's the end hid;
     And from his war-stained cloak, he answers "Hail!"
       And spurns the bed of gloom for throne aye-splendid!

-- Victor Hugo, My Napoleon

A Year of Poetry – Day 12

Why do you shiver there
Between the white river and the road?
You are not cold,
With the sun light dreaming about you;
And yet you lift your pliant supplicating arms as though
To draw clouds from the sky to hide your slenderness.
You are a young girl
Trembling in the throes of ecstatic modesty,
A white objective girl
Whose clothing has been forcibly taken away from her.
—  William Faulkner, A Poplar

Musings

  • There’s nothing like finding a pair of hot 120v wires with nothing but 20 year old masking tape covering their bare ends to make you think good thoughts about the previous owners of your home.
  • Dear custom counter top makers – The time to learn that you are contractually restricted from selling a certain countertop to a store, and through them, to me, is not two and a half weeks after I shelled out my hard earned money for them, and two and a half weeks before I am planning on having people over to the house.
    • The home supply center did right by us, and we should have countertops within the next fourteen days.
    • Luckily, the nice lady we worked with took the “We are so sorry, and we will make this right” approach with us, and not the “We already have your money, so what are you going to do?” approach.
  • Dear Vendor – If you ever create another interface that makes me hit “OK” 6,052 times to change the date every element in a dataset ages out and gets deleted, I am going to hunt you down, gut you like a trout, and use your entrails to string a bass violin.
    • I am not exaggerating, on either the number of “OK”s, or the consequences..
  • Dear Mother Nature – Please pick a temperature and a barometric pressure.  I don’t mean to complain, but I’m beginning to have the posture and personality of a honey badger.
  • I have several restaurant reviews for those of you coming into town for the NRAAM.  Look for them to get done when I’m not exhausted, pissed off, and/or under the weather.
  • Why do I get the same feeling down the center of my spine when Irish Woman says “Don’t get me anything for Mother’s Day” as I did when the guy four feet from me in Bosnia stepped on something and it went “CLICK!”?

A Year of Poetry – Day 11

Madame, ye ben of al beaute shryne
As fer as cercled is the mapamounde,
For as the cristal glorious ye shyne,
And lyke ruby ben your chekes rounde.
Therwith ye ben so mery and so jocounde
That at a revel whan that I see you daunce,
It is an oynement unto my wounde,
Thogh ye to me ne do no daliaunce.
For thogh I wepe of teres ful a tyne,
Yet may that wo myn herte nat confounde;
Your semy voys that ye so smal out twyne
Maketh my thoght in joy and blis habounde.
So curtaysly I go with love bounde
That to myself I sey in my penaunce,
“Suffyseth me to love you, Rosemounde,
Thogh ye to me ne do no daliaunce.”
Nas neuer pyk walwed in galauntyne
As I in love am walwed and ywounde,
For which ful ofte I of myself devyne
That I am trew Tristam the secounde.
My love may not refreyde nor affounde,
I brenne ay in an amorous plesaunce.
Do what you lyst, I wyl your thral be founde,
Thogh ye to me ne do no daliaunce.
— Geoffrey Chaucer, To Rosemounde: A Balade

A Year of Poetry – Day 10

Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov’d boy.
Seven years thou’wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon ‘scap’d world’s and flesh’s rage,
And, if no other misery, yet age?
Rest in soft peace, and, ask’d, say here doth lie
Ben Jonson his best piece of poetry.
For whose sake, henceforth, all his vows be such,
As what he loves may never like too much.

— Ben Jonson, On My First Son

A Year of Poetry – Day 9

Bright star, would I were steadfast as thou art! –
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature’s patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors –
No -yet still steadfast, still unchangeable,
Pillowed upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever -or else swoon to death.

— John Keats, His Last Sonnet

A Year of Poetry – Day 8

Up! up! my Friend, and quit your books;
Or surely you’ll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?
The sun above the mountain’s head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.
Books! ’tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There’s more of wisdom in it.
And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your teacher.
She has a world of ready wealth,
Our minds and hearts to bless—
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.
One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.
Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:—
We murder to dissect.
Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.
— William Wordsworth, The Tables Turned

A Year of Poetry – Day 7

A meadow brown; across the yonder edge
A zigzag fence is ambling; here a wedge
Of underbush has cleft its course in twain,
Till where beyond it staggers up again;
The long, grey rails stretch in a broken line
Their ragged length of rough, split forest pine,
And in their zigzag tottering have reeled
In drunken efforts to enclose the field,
Which carries on its breast, September born,
A patch of rustling, yellow, Indian corn.
Beyond its shrivelled tassels, perched upon
The topmost rail, sits Joe, the settler’s son,
A little semi-savage boy of nine.
Now dozing in the warmth of Nature’s wine,
His face the sun has tampered with, and wrought,
By heated kisses, mischief, and has brought
Some vagrant freckles, while from here and there
A few wild locks of vagabond brown hair
Escape the old straw hat the sun looks through,
And blinks to meet his Irish eyes of blue.
Barefooted, innocent of coat or vest,
His grey checked shirt unbuttoned at his chest,
Both hardy hands within their usual nest—
His breeches pockets — so, he waits to rest
His little fingers, somewhat tired and worn,
That all day long were husking Indian corn.
His drowsy lids snap at some trivial sound,
With lazy yawns he slips towards the ground,
Then with an idle whistle lifts his load
And shambles home along the country road
That stretches on fringed out with stumps and weeds,
And finally unto the backwoods leads,
Where forests wait with giant trunk and bough
The axe of pioneer, the settler’s plough.
— Emily Pauline Johnson, Joe

Thought for the Day

Question – How does Donald Trump know that the Washington establishment is up for sale to the highest bidder?
Answer – Because his accountant made him keep the receipts for tax purposes.

Question – Why does Hillary Clinton hang out with Hollywood celebrities?
Answer – She’s been playing Lady Macbeth for so many years, she feels more comfortable with other performers.

Question – Why does Bernie Sanders feel that cradle-to-grave government support is the best answer to the problems of the average American?
Answer – Well, look at how well it’s worked out for him.

Question – Why has Ted Cruz made a career in law and politics?
Answer – The part of Grandpa Munster was already taken.

A Year of Poetry – Day 6

No one lives in Golden Gully, for its golden days are o’er,
And its clay shall never sully blucher-boots of diggers more,
For the diggers long have vanished — nought but broken shafts remain,
And the bush, by diggers banished, fast reclaims its own again.
Now, when dying Daylight slowly draws her fingers from the “Peak”,
The Weird Empress Melancholy rises from the reedy creek —
In the gap above the gully, while the dismal curlews scream
Loud to welcome her as ruler of the dreary night supreme —
Takes her throne, and by her presence fills the strange, uncertain air
With a ghostly phosphorescence of the horrors hidden there.
None would think, by camp-fire blazy, lighting fitfully the scene,
In the seasons that are hazy, how in seasons gone between,
Diggers yarned or joined in jolly ballads of the field and foam,
Or grew sad and melancholy over songs like “Home, Sweet Home” —
Songs of other times, demanding sullen tears that would not start,
Every digger understanding what was in his comrade’s heart.
It may seem to you a riddle how a poet’s fancies roam,
But methinks I hear a fiddle softly playing “Home, Sweet Home”
’Mid the trees, while meditative diggers round the camp-fire stand.
(Those were days before Australians learned to love their native land.)
Now the dismal curlew screeches round the shafts when night winds sough;
Startling murmurs, broken speeches, shake each twisted, tangled bough,
And whene’er the night comes dreary, darkened by the falling rain,
Voices, loud and dread and eerie, come again and come again —
Come like troubled souls forbidden rest until their tales are told —
Tales of deeds of darkness hidden in the whirl of days of gold —
Come like troubled spirits telling tales of dire and dread mishaps,
Kissing, falling, rising, swelling, dying in the dismal gaps.
When the coming daylight slowly lays her fingers on the “Peak”
Then the Empress Melancholy hurries off to swamps that reek.
But the scene is never cheery, be it sunshine, be it rain,
For the Gully keeps its dreary look till darkness comes again.
As you stand beside the broken shafts, where grass is growing thick,
You can almost hear a spoken word, or hear a thudding pick;
And your very soul seems sinking, foetid grows the morning air,
For you cannot help believing that there’s something buried there.
There’s a ring amid the saplings by a travelling circus worn,
That amused the noisy diggers e’er the rising race was born;
There’s a road where scrub encroaches that was once the main highway,
Over which two rival coaches dashed in glory twice a day;
Gone — all gone from Golden Gully, for its golden days are o’er,
And its clay shall never sully wheels of crowded coaches more.

 

— Henry Lawson, Golden Gully