The time I’ve lost in wooing,
In watching and pursuing
The light, that lies
In woman’s eyes,
Has been my heart’s undoing.
Though Wisdom oft has sought me,
I scorn’d the lore she brought me,
My only books
Were woman’s looks,
And folly’s all they’ve taught me.

Her smile when Beauty granted,
I hung with gaze enchanted,
Like him the Sprite,
Whom maids by night
Oft meet in glen that’s haunted.
Like him, too, Beauty won me,
But while her eyes were on me,
If once their ray
Was turn’d away,
Oh! winds could not outrun me.

And are those follies going?
And is my proud heart growing
Too cold or wise
For brilliant eyes
Again to set it glowing?
No, vain, alas! th’ endeavour
From bonds so sweet to sever;
Poor Wisdom’s chance
Against a glance
Is now as weak as ever.

— Thomas Moore, The Time I’ve Lost in Wooing

Liza, go steep your long white hands
In the cool waters of that spring
Which bubbles up through shiny sands
The colour of a wild-dove’s wing.

Dabble your hands, and steep them well
Until those nails are pearly white
Now rosier than a laurel bell;
Then come to me at candlelight.

Lay your cold hands across my brows,
And I shall sleep, and I shall dream
Of silver-pointed willow boughs
Dipping their fingers in a stream.

— Elinor Wylie, Spring Pastoral

I once had a sweet little doll, dears,
The prettiest doll in the world;
Her cheeks were so red and so white, dears,
And her hair was so charmingly curled.
But I lost my poor little doll, dears,
As I played in the heath one day;
And I cried for more than a week, dears,
But I never could find where she lay.

I found my poor little doll, dears,
As I played in the heath one day:
Folks say she is terribly changed, dears,
For her paint is all washed away,
And her arms trodden off by the cows, dears
And her hair not the least bit curled:
Yet for old sakes’ sake she is still, dears,
The prettiest doll in the world.

— Charles Kingsley, My Little Doll

Come where the white waves dance along the shore
Of some lone isle, lost in the unknown seas;
Whose golden sands by mortal foot before
Were never printed,—where the fragrant breeze,
That never swept o’er land or flood that man
Could call his own, th’ unearthly breeze shall fan
Our mingled tresses with its odorous sighs;
Where the eternal heaven’s blue sunny eyes
Did ne’er look down on human shapes of earth,
Or aught of mortal mould and death-doomed birth:
Come there with me; and when we are alone
In that enchanted desert, where the tone
Of earthly voice, or language, yet did ne’er
With its strange music startle the still air,
When clasped in thy upholding arms I stand,
Upon that bright world’s coral-cradled strand,
When I can hide my face upon thy breast,
While thy heart answers mine together pressed,
Then fold me closer, bend thy head above me,
Listen—and I will thee how I love thee.

— Frances Anne Kembel, An Invitation

It was an April morning: fresh and clear
The Rivulet, delighting in its strength,
Ran with a young man’s speed; and yet the voice
Of waters which the winter had supplied
Was softened down into a vernal tone.
The spirit of enjoyment and desire,
And hopes and wishes, from all living things
Went circling, like a multitude of sounds.
The budding groves seemed eager to urge on
The steps of June; as if their various hues
Were only hindrances that stood between
Them and their object: but, meanwhile, prevailed
Such an entire contentment in the air
That every naked ash, and tardy tree
Yet leafless, showed as if the countenance
With which it looked on this delightful day
Were native to the summer.–Up the brook
I roamed in the confusion of my heart,
Alive to all things and forgetting all.
At length I to a sudden turning came
In this continuous glen, where down a rock
The Stream, so ardent in its course before,
Sent forth such sallies of glad sound, that all
Which I till then had heard, appeared the voice
Of common pleasure: beast and bird, the lamb,
The shepherd’s dog, the linnet and the thrush
Vied with this waterfall, and made a song,
Which, while I listened, seemed like the wild growth
Or like some natural produce of the air,
That could not cease to be. Green leaves were here;
But ’twas the foliage of the rocks–the birch,
The yew, the holly, and the bright green thorn,
With hanging islands of resplendent furze:
And, on a summit, distant a short space,
By any who should look beyond the dell,
A single mountain-cottage might be seen.
I gazed and gazed, and to myself I said,
‘Our thoughts at least are ours; and this wild nook,
My EMMA, I will dedicate to thee.’
—-Soon did the spot become my other home,
My dwelling, and my out-of-doors abode.
And, of the Shepherds who have seen me there,
To whom I sometimes in our idle talk
Have told this fancy, two or three, perhaps,
Years after we are gone and in our graves,
When they have cause to speak of this wild place,
May call it by the name of EMMA’S DELL.

— William Wordsworth, It Was An April Morning:  Fresh and Clear

What sight so lured him thro’ the fields he knew
As where earth’s green stole into heaven’s own hue,
Far-far-away?

What sound was dearest in his native dells?
The mellow lin-lan-lone of evening bells
Far-far-away.

What vague world-whisper, mystic pain or joy,
Thro’ those three words would haunt him when a boy,
Far-far-away?

A whisper from his dawn of life? a breath
From some fair dawn beyond the doors of death
Far-far-away?

Far, far, how far? from o’er the gates of birth,
The faint horizons, all the bounds of earth,
Far-far-away?

What charm in words, a charm no words could give?
O dying words, can Music make you live
Far-far-away?

— Alfred, Lord Tennyson, Far-Far-Away