He had driven half the night
From far down San Joaquin
Through Mariposa, up the
Dangerous Mountain roads,
And pulled in at eight a.m.
With his big truckload of hay
        behind the barn.
With winch and ropes and hooks
We stacked the bales up clean
To splintery redwood rafters
High in the dark, flecks of alfalfa
Whirling through shingle-cracks of light,
Itch of haydust in the 
        sweaty shirt and shoes.
At lunchtime under Black oak
Out in the hot corral,
---The old mare nosing lunchpails,
Grasshoppers crackling in the weeds---
“I’m sixty-eight” he said,
“I first bucked hay when I was seventeen.
I thought, that day I started,
I sure would hate to do this all my life.
And dammit, that’s just what
I’ve gone and done.”

-- Gary Snyder, Hay for the Horses

By the flow of the inland river,
Whence the fleets of iron have fled,
Where the blades of the grave-grass quiver,
Asleep are the ranks of the dead:
Under the sod and the dew,
Waiting the judgment-day;
Under the one, the Blue,
Under the other, the Gray.

These in the robings of glory,
Those in the gloom of defeat,
All with the battle-blood gory,
In the dusk of eternity meet:
Under the sod and the dew,
Waiting the judgment-day,
Under the laurel, the Blue,
Under the willow, the Gray.

From the silence of sorrowful hours
The desolate mourners go,
Lovingly laden with flowers
Alike for the friend and the foe:
Under the sod and the dew,
Waiting the judgment-day,
Under the roses, the Blue,
Under the lilies, the Gray.

So, with an equal splendor,
The morning sun-rays fall,
With a touch impartially tender,
On the blossoms blooming for all:
Under the sod and the dew,
Waiting the judgment-day,
Broidered with gold, the Blue,
Mellowed with gold, the Gray.

So, when the summer calleth,
On forest and field of grain,
With an equal murmur falleth
The cooling drip of the rain:
Under the sod and the dew,
Waiting the judgment-day,
Wet with the rain, the Blue,
Wet with the rain, the Gray.

Sadly, but not with upbraiding,
The generous deed was done,
In the storm of the years that are fading
No braver battle was won:
Under the sod and the dew,
Waiting the judgment-day,
Under the blossoms, the Blue,
Under the garlands, the Gray.

No more shall the war cry sever,
Or the winding rivers be red;
They banish our anger forever
When they laurel the graves of our dead!
Under the sod and the dew,
Waiting the judgment-day,
Love and tears for the Blue,
Tears and love for the Gray.

— Francis Miles Finch, The Blue and the Gray

Ho! woodsmen of the mountain side!
Ho! dwellers in the vales!
Ho! ye who by the chafing tide
Have roughened in the gales!
Leave barn and byre, leave kin and cot,
Lay by the bloodless spade;
Let desk, and case, and counter rot,
And burn your books of trade.

The despot roves your fairest lands;
And till he flies or fears,
Your fields must grow but arm|\ed bands,
Your sheaves be sheaves of spears!
Give up to mildew and to rust
The useless tools of gain;
And feed your country’s sacred dust
With floods of crimson rain!

Come, with the weapons at your call —
With musket, pike, or knife;
He wields the deadliest blade of all
Who lightest holds his life.
The arm that drives its unbought blows
With all a patriot’s scorn,
Might brain a tyrant with a rose,
Or stab him with a thorn.

Does any falter? let him turn
To some brave maiden’s eyes,
And catch the holy fires that burn
In those sublunar skies.
Oh! could you like your women feel,
And in their spirit march,
A day might see your lines of steel
Beneath the victor’s arch.

What hope, O God! would not grow warm
When thoughts like these give cheer?
The Lily calmly braves the storm,
And shall the Palm-tree fear?
No! rather let its branches court
The rack that sweeps the plain;
And from the Lily’s regal port
Learn how to breast the strain!

Ho! woodsmen of the mountain side!
Ho! dwellers in the vales!
Ho! ye who by the roaring tide
Have roughened in the gales!
Come! flocking gayly to the fight,
From forest, hill, and lake;
We battle for our Country’s right,
And for the Lily’s sake!

— Henry Timrod, A Cry to Arms

Speak, satire; for there’s none can tell like thee
Whether ’tis folly, pride, or knavery
That makes this discontented land appear
Less happy now in times of peace than war?
Why civil feuds disturb the nation more
Than all our bloody wars have done before?
Fools out of favour grudge at knaves in place,
And men are always honest in disgrace;
The court preferments make men knaves in course,
But they which would be in them would be worse.
‘Tis not at foreigners that we repine,
Would foreigners their perquisites resign:
The grand contention’s plainly to be seen,
To get some men put out, and some put in.
For this our senators make long harangues,
And florid members whet their polished tongues.
Statesmen are always sick of one disease,
And a good pension gives them present ease:
That’s the specific makes them all content
With any king and any government.
Good patriots at court abuses rail,
And all the nation’s grievances bewail;
But when the sovereign’s balsam’s once applied,
The zealot never fails to change his side;
And when he must the golden key resign,
The railing spirit comes about again.
Who shall this bubbled nation disabuse,
While they their own felicities refuse,
Who the wars have made such mighty pother,
And now are falling out with one another:
With needless fears the jealous nation fill,
And always have been saved against their will:
Who fifty millions sterling have disbursed,
To be with peace and too much plenty cursed:
Who their old monarch eagerly undo,
And yet uneasily obey the new?
Search, satire, search; a deep incision make;
The poison’s strong, the antidote’s too weak.
‘Tis pointed truth must manage this dispute,
And downright English, Englishmen confute.
Whet thy just anger at the nation’s pride,
And with keen phrase repel the vicious tide;
To Englishmen their own beginnings show,
And ask them why they slight their neighbours so.
Go back to elder times and ages past,
And nations into long oblivion cast;
To old Britannia’s youthful days retire,
And there for true-born Englishmen inquire.
Britannia freely will disown the name,
And hardly knows herself from whence they came:
Wonders that they of all men should pretend
To birth and blood, and for a name contend.
Go back to causes where our follies dwell,
And fetch the dark original from hell:
Speak, satire, for there’s none like thee can tell.

— Daniel Defoe, Introduction to the True-Born Englishman

On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.
The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient. This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.
Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with coloured sherds.
So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.

— Amy Lowell, A Fairy Tale