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The Absolute State of Entertainment

I’m going to show my age here, but does anyone else remember being excited about entertainment?

I kind of do, but man, it’s been a long time.

Harken back with me to the old days, children. Days when vague rumors from that weird kid (me) who read sci-fi magazines and old comics would see something in an article about a new movie that was in production and have Mrs. Torkelson’s entire 3rd period talking about the next Star Wars movie instead of algebra.

Or when some kid would get dragged to the movie theater by his mother to see the rerelease of a Disney movie and see a poster for the next Star Trek movie. He’d come back to school all abubbling about how great it looked, and it even had that dude from Fantasy Island in it!

There are a lot of other examples, such as two big lines wrapped around theaters, one for the rerelease of Star Wars and the other for Titanic, but I don’t see that kind of enthusiasm. Heck, I don’t think we’ve seen any sort of mass excitement about a movie or TV show in about ten years.

Today, it seems that whoever owns Star Trek has pulled its spindled, mangled, and mutilated corpse out of cold storage, hooked it up to a couple marine batteries, then filmed while it twitched. Seriously, at this point, it should be shot on 8mm, sold out the back of a scuzzy gas station in a bad neighborhood, then watched in a dark basement while smoking. When the watcher dies, the older kids know to get to the house and just burn all that before the grandkids find it.

Star Wars is some poor child that was ripped out of its village, starved in the dark for a few months, then forced to dance for strangers in weird clothes for pennies. Maybe if it’s lucky, it’ll be given some nice nourishing soup for dinner, but mostly it’s fed on old, dessicated slop that was found at the bottom of a freezer and reheated in an underpowered microwave.

Kids movies aren’t safe, either. I just heard there’s going to be a fifth Toy Story movie, we have more Shrek than we can ever handle, and every classic animated film is getting a schlocky, half-baked live action remake. I guess in a world where little Timmy can call up every second of children’s entertainment ever made on the tablet that’s substituting for his parents, the thrill of “They’re putting Snow White back in the theaters this Christmas!” or “Disney’s opening the vaults and putting Peter Pan on DVD!” just doesn’t bring in the dollars anymore.

Instead, in between making commercialized propagandic schlock that bombs, the studios that used to ask themselves “Is this a good story for 7 year olds?” are either ‘reminagining’ classic stories or continuing stories that were complete decades ago.

TV is even worse. The kids who were slightly too young to watch the Simpsons when it premiered are now watching new episodes with their grandkids. South Park is now older than its creators were when they started taking pictures of cut out craft paper to make fart jokes. Family Guy has risen from the dead at least once, allowing its writers and voice actors to phone in whatever ‘irreverent’ thing crosses their minds every week.

Law and Order, in one form or another, is old enough that it can finally retire the minivan and car seats now that the kids are in middle school. The spin-off, SVU, has highlighted so many crimes against children and young women in New York that I’m surprised anyone still has the audacity to procreate in the Big Apple.

The Sopronos and Breaking Bad definitely had their day, and they were definitely well-written and acted pieces of art. Eventually, though, we have to realize that we were rooting for murderers, human traffickers, and drug pushers who brought nothing but misery to everyone they knew and everyone they touched.

In between all these, there are some bright spots.

Yellowstone and its spinoffs, love them or hate them, have brought back the western genre. Now that I think about it, Landman and Tulsa King are westerns, just with a little twist on them to make them a little more relevant to folks who can’t afford thousands of acres of real estate in Montana or Texas. Hey, if you can make being a roughneck or running a cannabis dispensary entertaining and sexy, more power to you.

Game of Thrones, for all its faults, brought at least some interest in high fantasy to the masses again, just with more incest, rape, and torture. Thank goodness Peter Jackson completed his Lord of the Rings trilogy before that came out. I shudder to think of what HBO would have done to poor Frodo if they’d gotten their meathooks on him. Of course, that also brought us the Witcher and Rings of Power series, so maybe that’s not a good example.

The Chosen and most of the offerings from Angel Studios are quite good, but of limited appeal to mass audiences. Yes, they’re interesting and enjoyable, and I wish more folks would check them out, but folks aren’t queuing up to watch them.

Indie films and television, as always, are hit and miss. I guess that’s kind of the point. If you’re making a movie or TV show (what’s the correct term for something that’s never going to be on TV, but would have been 30 years ago?) with a small cast, a smaller budget, but a really good idea, sometimes you get it right and sometimes you don’t. For every “Godzilla Minus One” or The Menu, you get a few hundred “Cube Root of King Kong at a Furry Convention in Des Moines”.

But, if you sift through all the schlock, you find some real gems that are original and entertaining. Of course, once one of them does well enough, the big fish will scoop them up, stripmine them for their premise, and publicly flog them until there’s nothing but a grease spot on the cobblestones. Best to enjoy the first generation from small studios while you can, because the next few generations get awfully tiresome awfully quick.

Long story short, I really can’t remember when something original, in whatever media form you choose, came out that caught on across a broad spectrum of the populace. The closest thing would, I guess, be the original Avatar, but that movie is old enough to drive now. My youngest son probably has no memory of any movie or show that had his entire school atwitter for days after its premiere.

And for some reason, that makes me a little sad.

Now, if you’ll excuse me, I’m going to break out my DVD’s of Looney Tunes and watch them again before the bits rot out from under the Coyote.

Thought for the Day

I’d like to congratulate the director and producers of the new Superman movie. They have accomplished something I never thought could be done – They’ve made me apathetic about new Superman movies. They join the creators of Star Wars, Star Trek, Marvel, and just about everything else I used to enjoy.

I grew up on Christopher Reeve on the big screen. I paid full price to watch both Superman III and IV, and I wasn’t even that pissed off leaving the theater. I’ve watched and listened to multiple Superman TV and radio shows that were made when my mother was a child. I watched all of the DC Universe Superman movies, including some absolute dreck that made my teeth itch. Heck, I even shelled out to watch the mid-2000’s Superman reboot that never went anywhere.

But now, with the latest reboot about to kick off, the director decided to open his yap about how political this new movie is. Also, one of the bipedal parrots in the movie decided to say that he wasn’t comfortable with “Truth, Justice, and the American Way”.

Aaaaand, we’ve officially reached “Tom doesn’t care anymore” territory.

Hint – We go to movies to escape the 24×7 politics world we live in. Movies can have politics in them, but it has to be done with an artful touch so that not everything is about the politics. I go to summer movies to watch things blow up, not to have my worldview blown up.

Giving interviews specifically to point out the political message you want to convey with your forthcoming summer blockbuster, regardless of which political point of view you are firehosing your audience with, will just have me going downstairs to the Fortress of Solitude and popping a DVD in.

If I wanted to watch mid-level, overtly political movies with, at best, lukewarm feelings toward America and Americans, I have access to all of the mid-to-late 20th Century German and Russian cinema I could ask for. I don’t need the beneficiaries of American society to tell me how bad America is.

Withering Theaters

I’m sitting here and watching a video about the projected miserable performance of Disney’s Snow White remake at the box office. I won’t rehash that debacle, but apparently the House of Mouse is set to lose the GDP of Ghana on that particular film.

Movies over the past few years, for a variety of reasons, have consistently either barely eked out the cost of making them or have actually lost money. Hollywood has stopped being a growth industry. Heck, it’s probably not even a value investment anymore.

Every creative endeavor you want to sell for money is a roll of the dice, but usually those dice can be loaded by having a good story, decent acting and directing, and doing the whole endeavor in a way that makes folks want to shell out for the work, at least once.

In the long run, filmmakers will either get the hint and start making good entertainment that a mass audience wants to see, or they will decline to the point they only make inexpensive films that enough of a tiny audience will see so that they make a little money. Make enough of those, and you can limp along until somebody makes a unicorn of a movie that refills your coffers.

But at the retail end, the local theaters won’t survive long enough for that to happen. Bad movies put fewer butts in seats. Fewer butts in seats mean fewer $15 matinee tickets, $10 buckets of popcorn, and $12 sodas sold. For theaters that operate on a razor thin margin to begin with, that means financial Armageddon, albeit a slow one.

However, I think a lesson from the Covid-19 days could be applied.

During Covid, movie theaters were shut down. There were no matinees for the kids out of school, no date nights that included two hours of not talking to each other, no blockbusters on the huge screen.

However, our local drive-in theater stayed open. If folks are either sitting in the minivan or on lawn chairs in front of the pick-up, they’re far enough apart that the koof cooties couldn’t get them.

At the time, there weren’t any new movies coming out, so the drive-in was showing rereleases of old movies. All the best movies from decades past sold enough tickets to keep the gate open.

And to be honest, it was a good time. Irish Woman and I saw movies we remembered from our childhood, or relived good memories from when we were young and could still be stirred to go out on a Friday night. It was a great way to find entertainment during a bleak time.

I think something like that would be a good way for Hollywood to mine a rich vein of nostalgia while it gets its act together with new, better content.

Let’s take Star Wars, for example. Now, officially, there are nine Star Wars movies in the central saga. Being an Orthodox Jedi household, we don’t hold with Episodes 7, 8, and 9, so we won’t consider them for this thought experiment. Let’s throw in ‘Solo’ and ‘Rogue One’ as well, because they fit in the overall plot line nicely.

That gives us 8 movies to work with. If Disney releases one of them every six weeks, that gives them 48 weeks of theatrical time at little cost to them. Without spending a dime on writing, directing, acting, effects, or editing, Disney can put an iconic saga on the big screen and make profit.

Will it make hundreds of millions of dollars per movie? Probably not. But other than distribution costs and the cost of a few ads on social media, it’s almost all profit for the studio and theaters. A modest profit is better than barely breaking even, at best.

“Iron Man” came out in 2008, and “Endgame” came out in 2019. There is an entire generation of consumers who have never seen the entire MCU on the big screen. Teenagers who have only ever seen the movies on TV or tablet screens wouldn’t line up around the block to get in, but they would line up. There are 30 movies in the MCU. Even if you showed the dreck released after “Endgame”, that’s several years worth of content that looks good on the big screen and would cost a pittance to rerelease.

Heck, if film companies don’t want to stop with the political moralizing, they could run movies that make their point for them. Want to protest against a crackdown on illegal immigration? Rerelease “An American Tail” and let Fievel tell the story of legal immigration. Cinema used to be a subtle way to get your politics in the limelight. Release good movies that make your point, and you might just learn something about how to sway your audience without driving them away.

Hollywood has been putting out mediocre content, salted with gems that touch the human soul, for over 100 years. While they regroup and figure out how to make a product their customers want to buy, Hollywood should polish those gems and put them on display for us. It would at least stop the bleeding until they can figure out how to service their customers rather than insult them.

Coming Soon

A wave of new movies is about to break at your local movie palace, so I thought I’d let you know what’s coming.

  • Top Gun: Maverick – After barely surviving the Tailhook scandal, and the messy divorce that followed it, Maverick fights to get back into the cockpit after almost 30 years of meteorology duty on Diego Garcia.
  • Ralph Breaks the Internet – An innocent 8 bit graphic and his underage sidekick find themselves enmeshed in the hive of scum and villainy that is the Internet.  Not recommended for children or pregnant women.
  • Aquaman – The prodigal son returns to find that his ancient kingdom is being menaced by Republicans, overfishing, and a vast continent of Chinese plastic garbage.
  • BumbleBee – Return with us to the glory days of transforming cars, 1987.   The robot in question tries hard to win the heart of a young woman who befriends him, not knowing that he was a generation early if he wanted to find a woman who could fall in love with a machine.
  • Mary Poppins Returns –  No.  Just, no.  I can’t even.  What did I do to Disney to make them hurt me like this?
  • Jacob’s Ladder – A haunting tale packed with tension and a twist ending that we’ve already seen before.
  • Dumbo – I wonder what they’re going to do with the crows in this one.  In other news, I’m going to be taken to see this on date night, so I’ll need to pack along a box of tissues.

Movie Review – The Force Awakens

Star Wars: The Force Awakens” is the seventh installment in the Star Wars saga.  Directed by J.J. Abrams, the movie takes place a few decades after “Return of the Jedi“.

Plot Synopsis:  Go buy a ticket and watch the movie.  Seriously, I’m not going to spoil it for you.  NOTE – There are spoilers below the fold at the end of the open review.  Don’t go there if you want to be surprised in the theater.

The cast includes old favorites like Carrie Fisher, Mark Hamill, and Harrison Ford, and they are joined by new talent Daisy Ridley, John Boyega, and Adam Driver.  Also making appearances are Anthony Daniels as C3P0 and Peter Mayhew as Chewbacca.

Overall, the acting was very well done.  The bright spot was Daisy Ridley as Rey, the female lead, although Boyega’s work as Finn was also entertaining.  Ford, Fisher, and Hamill bring continuity from the original trilogy, and their characters did not overwhelm the new storyline.

The music was, as always, exceptional.  John Williams picked up where he left off with the other movies, and his music was woven into the movie as seamlessly as one could hope.  It was almost always there, but it never asserted itself as the focal point once the movie moved beyond the initial story crawl.

The special effects were outstanding.  Honestly, I thought they looked better than what we saw in the prequels, and that was the only thing that impressed me about those movies.   Abrams does a good job of making the special effects support the characters and story, instead of the reverse found in the prequels.

There were a few problems with the plot, which I will get into below the fold.  However, this was a good movie.  It was fun, and it followed a definite plot without delving into philosophy or discussions about points of view.  The good characters were good, the bad characters were, for the most part, bad, and they were all trying to get somewhere.

Overall, I’d give this movie a B+.  It’s not the best Star Wars movie, but it’s certainly better than most.  It’s not the pinnacle of American cinema, but it’s a lot of fun and it kept me engaged through its entire 2 hour run.  It made for a good date movie, and it’s appropriate for children who can handle the original trilogy.

Best part – No Jar Jar, no midiclorians, and no obnoxious nine-year-olds hitting on the teenage lead.

Warning – Spoilers ahead!

(more…)

Coming Soon

  • Kung Fu Panda 3 – Po is back, and he’s shaking the money tree again.  The first one was somewhat enjoyable, I haven’t seen the second, and I may notice that the third is out on DVD this spring.
  • Alvin and the Chipmunks: The Road Chip – If this isn’t a sign that western civilization is rotting from the center out, I don’t know what is.
  • The Revenant – A mountain man is left for dead, and is hunting down the men who killed his son.  Looks interesting.  We’ll probably go see this one.
  • The Shannara Chronicles – A television series based on Terry Brook’s series.  I loved these books as a teenager, and Irish Woman commented on my shock and glee at seeing the preview for this.  I really hope this doesn’t suck.
  • Krampus – You better not pout, you better not cry, you better not shout, I’m telling you why:  Krampus will pull your soul out through your ear!
  • DeadPool – Another Marvel production, in which everyone’s favorite psychotic superhero finally gets a movie.
  • Gods of Egypt – Horus and Set are having a royal rumble, and we’re all invited along to watch.  Looks visually stunning, and feels like The Scorpion King.

Movie Review – Victor Frankenstein

Victor Frankenstein is a new envisioning of the Mary Shelley’s classic, with the biggest change being that the story is moved to Victorian London and the main character is Igor, rather than Dr. Frankenstein or the monster.

Short version – A really good movie that takes a fresh look at a story that’s been done before.  I recommend it, but don’t go looking for a movie that’s only a drama, horror, comedy, thriller, or action flick.

Long version – (Some spoilers ahead)

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Movie Review – Home

Alternate title – But other that that, Mrs. Lincoln, how was the play?

Home is the spring kid’s movie from Dreamworks, and is based on a children’s book which looks more interesting than the movie.  The movie revolves around an alien named Oh, who is something of a screw-up.  His people, the Boov, come to Earth to hide from their ancient enemy.  After sequestering the entire human race on a reservation in the Australian outback, they move into our apartments and begin doing Boov business.  Oh meets Tip, a young human girl whose name I thought was short for Stereotip, but is really named Gratuity.  Anyway, these two crazy kids go on a mission to find Tip’s mother and save the planet.  In the end, lessons are learned, love is shown, and we are treated to dance moves by alien creatures who are just taken over by the rhythm.

Gad, I really wasn’t in the mood for a cute movie.

Oh is played by Jim Parsons, who turns in an excellent portrayal of a creature who talks with the same syntax as an email from a Nigerian prince.  Tip is voiced by Rihanna, who has that squeaky, vaguely New York accent that we all expect from a child character who claims to be from Barbados.  Steve Martin, Jennifer Lopez, and Matt Jones round out the principle speaking parts of the movie.  Overall, the voice acting was pretty good, and the actors did a good job of matching their acting to the roles.

The animation in the movie is oustanding.  The Boov, which if you’ve read Mother of Demons will seem somewhat familiar, are rather cartoonish, while the humans were less so.  The backgrounds were pretty breathtaking, and the outlandish things that the Boov do to the Earth are well done and rather humorous.

The music in the movie was a mix of R&B pop and semi-orchestral mood music.  The orchestral pieces were forgettable enough that I rarely noticed their presence, and the poppish dreck set my teeth on edge.

On the other hand, Boo sat still through the entire movie, and laughed at a lot of the sight gags and fish-out-of-water jokes.  The little girls sitting behind us were laughing out loud throughout the movie, as was their mother.  Irish Woman thought the movie was at least worth the cost of admission.

So, maybe I’m not the target demographic.

It’s a cute movie, but it just didn’t appeal to me.  If you have small children, they will probably enjoy it.

Coming Soon

  • Jurassic World – Looks pretty good, if you like more of the “there are things which man was not supposed to know” moralizing.  Probably going to see this one, if for nothing else than to show support for Dennis, who provided sheaths for some of the actors.
  • Poltergeist – Reboot of the 1980’s movie.  Little girl is taken by the things that go bump in the night, and her family tries desperately to save her.  Had nightmares from the original, so nope, nope, nope, nope.
  • Run All Night – Liam Neeson is in line for an Oscar for this, in the “Hypocritical Use of Violence and Guns To Protect Human Life by a Hoplophobe in a Drama” category.  Nope.
  • The Gunman – Sean Penn is competing with Neeson in that category.  This film appears to be the “I gots me the PTSD, so I’m gonna kill a bunch of people” kind of storyline.  Wouldn’t accept free tickets to see this, unless Sean Penn’s character dies horribly in the opening scene, then is mocked for the rest of the movie.
  • Chappie – What if we took a police robot and gave it independent intelligence.  If you said “someone will bring in an ED-209 to destroy it”, then you’ve seen the trailer for Chappie.  I’m probably going to see this one, but I hope it doesn’t take itself as seriously as the trailer suggests.
  • TomorrowLand – A young woman is let out of jail, and finds that the Disney World lapel pin that she’s handed sends her to the middle of a wheat field with a city of big buildings in the distance.  If you don’t see this trailer and immediately think that somebody watched the Wizard of Oz one too many times, please pay more attention.  I might see this with the kids, but I’ll be sure to bring along a good book just in case.
  • The Lazarus Effect – Ever wonder what would have happened if Flatliners hadn’t had a happy ending?  Watch this movie and you’ll probably find out.  Pass.
  • McFarland, USA – Kevin Costner plays a track coach in an economically depressed, rural area.  A feel-good movie where we all learn that our differences are only skin deep.  If only I went to movies to feel good.  Pass.
  • Cinderella – A live-action reboot of the Disney classic, because hand-drawn artistry from the golden age of animation just can’t compete these days.  I look forward to more Disney princess merchandise clogging the aisles of Walmart this fall.  Thank the Lord that Girlie Bear is old enough to go see this without me.
  • Home – A quirky little alien escapes to Earth after he succeeds in messing up with his own people.  He is met by Stereotype, the spunky little girl with African ancestry, who proves to him what it means to be human.  I don’t have high hopes for this one, but may see it.
  • Pan – Origin story for Peter Pan, because every childhood memory needs a brooding, psychological treatment.  On the fence about this one.
  • Underdogs – Foosball statuettes come to life when the kid who used to play with them gets into a pissing match with the soccer star he embarrassed over the table years ago.  Pass.
  • In the Heart of the Sea – Retelling story of the whaling ship Essex, which inspired Melville to write “Moby Dick”.  As a history nerd, this is almost an obligatory watch.  Hope it’s as good as it could be.
  • Unfriended – Cyber stalking for the recently deceased. Booga Booga, there’s a ghost in the machine.  Pass.
  • The Age of Adeline – A woman who is eternally young meets the guy she can give it all up for.  Might make a good date night movie.

Movie Review – Paddington

As a reward for a good week and for being good for his sister on Friday night while Irish Woman and I went out for dinner, I took Boo out to see the only kids movie that’s out right now that doesn’t include an anthropomorphized dish rag as a main character.  In short, we saw Paddington.

Paddington is loosely based on the series of children’s books by Michael Bond.  A young bear is sent to London by his aunt to seek out the explorer that visited their family years before.  On arrival, Paddington is helped out by the Brown family, who take him to their home.  The father isn’t sure about all this, and the daughter is embarrassed by the whole thing, but the son loves it, and the mother has a good heart.  Paddington and the Brown’s have adventures as they try to seek out the explorer.  In the end, Paddington finds himself in a good home with a new family.

The casting for this movie was outstanding.  Ben Wishaw provides the voice of Paddington, and he fits the character perfectly.  Likewise, the Brown family, played by Hugh Bonneville, Sally Hawkins, Madeleine Harris, and Samuel Joslin, was perfect.  Nicole Kidman plays Milicent, the taxidermist at the Natural History Museum, who tries throughout the movie to catch Paddington and add him to her collection, and she is an excellent villain.

The visuals and cinematography in the movie were quite good.  The character of Paddington is CGI, of course, but he doesn’t look cartoonish or over-done.  I did see a lot that reminded me of scenes from “Mary Poppins” or “Bedknobs and Broomsticks” in the movie, and that only added to its richness for the older crowd.

Overall, I’d give the movie an A for people with kids.  I enjoyed it, as did Girlie Bear.  It says a lot that the theater was about 3/4 full of small children and parents, and not a peep was heard for the entire hour and a half run of the movie.  This one is probably going on our Christmas list.