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A Year of Poetry – Day 298

I.

Of Februar the fiftene nicht
Full lang before the dayis licht
I lay intill a trance
And then I saw baith Heaven and Hell
Me thocht, amang the fiendis fell
Mahoun gart cry ane dance
Of shrews that were never shriven,
Agains the feast of Fastern’s even,
To mak their observance.
He bad gallants gae graith a gyis,
And cast up gamountis in the skies,
As varlets do in France.

II.

Helie harlots on hawtane wise,
Come in with mony sundry guise,
But yet leuch never Mahoun,
While priests come in with bare shaven necks;
Then all the fiends leuch, and made gecks,
Black-Belly and Bawsy Brown.

III.

Let see, quoth he, now wha begins:
With that the foul Seven Deadly Sins
Begoud to leap at anis.
And first of all in Dance was Pride,
With hair wyld back, and bonnet on side,
Like to make vaistie wanis;
And round about him, as a wheel,
Hang all in rumples to the heel
His kethat for the nanis:7
Mony proud trumpour with him trippit;
Through scalding fire, aye as they skippit
They girned with hideous granis.

IV.

Then Ire came in with sturt and strife;
His hand was aye upon his knife,
He brandished like a beir:
Boasters, braggars, and bargainers,
After him passit in to pairs,
All bodin in feir of weir;
In jacks, and scryppis, and bonnets of steel,
Their legs were chainit to the heel,
Frawart was their affeir:
Some upon other with brands beft,
Some jaggit others to the heft,
With knives that sharp could shear.

V.

Next in the Dance followit Envy,
Filled full of feud and felony,
Hid malice and despite:
For privy hatred that traitor tremlit;
Him followit mony freik dissemlit,
With fenyeit wordis quhyte:
And flatterers in to men’s faces;
And backbiters in secret places,
To lie that had delight;
And rownaris of false lesings,
Alace! that courts of noble kings
Of them can never be quit.

VI.

Next him in Dance came Covetyce,
Root of all evil, and ground of vice,
That never could be content:
Catives, wretches, and ockeraris,
Hudpikes, hoarders, gatheraris,
All with that warlock went:
Out of their throats they shot on other
Het, molten gold, me thocht, a futher
As fire-flaucht maist fervent;
Aye as they toomit them of shot,
Fiends filled them new up to the throat
With gold of all kind prent.

VII.

Syne Sweirness, at the second bidding,
Came like a sow out of a midding,
Full sleepy was his grunyie:
Mony swear bumbard belly huddroun,
Mony slut, daw, and sleepy duddroun,
Him servit aye with sonnyie;
He drew them furth intill a chain,
And Belial with a bridle rein
Ever lashed them on the lunyie:
In Daunce they were so slaw of feet,
They gave them in the fire a heat,
And made them quicker of cunyie.

VIII.

Then Lechery, that laithly corpse,
Came berand like ane baggit horse,
And Idleness did him lead;
There was with him ane ugly sort,
And mony stinking foul tramort,
That had in sin been dead:
When they were enterit in the Dance,
They were full strange of countenance,
Like torches burning red.

IX.

Then the foul monster, Gluttony,
Of wame insatiable and greedy,
To Dance he did him dress:
Him followit mony foul drunkart,
With can and collop, cup and quart,
In surfit and excess;
Full mony a waistless wally-drag,
With wames unweildable, did furth wag,
In creesh that did incress:
Drink! aye they cried, with mony a gaip,
The fiends gave them het lead to laip,
Their leveray was na less.

X.

Nae minstrels played to them but doubt,
For gleemen there were halden out,
Be day, and eke by nicht;
Except a minstrel that slew a man,
So to his heritage he wan,
And enterit by brieve of richt.
Then cried Mahoun for a Hieland Padyane:
Syne ran a fiend to fetch Makfadyane,
Far northwast in a neuck;
Be he the coronach had done shout,
Ersche men so gatherit him about,
In hell great room they took:
Thae tarmigants, with tag and tatter,
Full loud in Ersche begoud to clatter,
And roup like raven and rook.
The Devil sae deaved was with their yell;
That in the deepest pot of hell
He smorit them with smoke!

William Dunbar, The Dance of the Seven Deadly Sins

A Year of Poetry – Day 297

O you, far colder, whiter
Than she who makes less fair
The stars with shining there:
Her purest silver cannot dim
Nor any cloud, or rain or wind,
Your sweet brightness, lovely eyes.
Would you but turn to me, with delight,
I should be happy, and my life a dream.

— Torquato Tasso, O You, Far Colder, Whiter

A Year of Poetry – Day 296

Loud sounded the music in Fridthjof’s hall,
His ancestors’ praises sang poets all.
O’erwhelmed with sadness
Is Fridthjof, he hears not their songs of gladness.

The earth has again donned her mantle of green
And dragon-ships breasting the waves are seen
But Fridthjof, pondering,
Is at the moon gazing or in the woods wandering.

How fortunate was he but lately, and glad,
For Helge and Halfdan as guests he had;
And with the brothers,
Came Ingeborg; Fridthjof scarce saw the others.

He sat by her side and her soft hand he pressed;
He felt in the pressure returned him thrice blest,
Enraptured gazing
On her whom he honored beyond all praising.

In glad conversation recalling their plays,
When life’s morning dew presaged bright future days
For memory truthful
Keeps life’s rosy gardens in noble minds youthful.

How fondly she greets him from dale and from park,
From loving names growing in White birchen bark,
From hills where flourish
The oaks which the ashes of heroes nourish.

“‘Tis never so pleasant at home as here,
For Halfdan is childish and Helge severe;
Tho kings attending
To nothing but prayers and praise unending.

“And no one (nor could she her blushes hide)
To whom my complainings I may confide.
The palace building,
How stifling compared with the groves of Hilding.

“The doves that we petted, and tamed and fed,

By hawks oft affrighted away have fled;
One pair remaineth,
Let Fridthjof take one, one Ing’borg retaineth.

“She’ll long like another her friend to see,—
And homeward returning will fly to me:
Your message, bind it
Beneath her flee pinion,—there none will find it.”

All day they sat whispering side by side,
Nor ceased the low murmur at eventide;
So breathe in whispers
The zephyrs through lindens at twilight vespers.

But now she has gone, and his joy forsooth
Has gone with the maiden. The blood of youth
His cheek is mounting,
He silently sighs while the past recounting.

His grief at her absence he sent by the dove,
Which joyous set out with its message of love;
But oh! new sorrow,
It stayed with its mate, nor returned on the morrow.

His conduct to Bjorn was displeasing; said he:
“What ails our young eagle, he seems to be
Like some shy sparrow,—
Has his breast or his pinion been pierced by an arrow?

“What wilt thou, Fridthjof? We have for need
The yellow bacon, and the good, brown mead;
And poets singing,
Their jubilant music forever ringing.

“The steeds impatiently stamp in the stalls,—
To the chase! to the chase! the falcon calls;
But Fridthjof retaineth
His gloom. He hunteth in clouds and complaineth.

“Ellide is restless upon the main,—
She frets and she chafes at her cable chain;
Lie still my treasure!
Our Fridthjof is peaceable. Strife is no pleasure.

“Who dies on his pallet,, is dead indeed;
By the lance, as did Odin, we’ll die, if need,—
And thus ensure us
A welcome to Hel, and heaven secure us.”

Then Fridthjof unloos’d the dragon,—and proud,
With full swelling canvas, the waves she plowed,
And swiftly over
The bay to the palace she bore the lover.

The kings were at Bele’s grave met that day,—
To administer justice and counsel weigh;
Fridthjof advances,—
His voice sounds afar like clashing lances.

“Ye kings, lovely Ing’borg, the people’s pride,
I choose, from all women, to be my bride;
The king intended
Our lives thus united in one should be blended.

“He reared us together in Hilding’s sight,—
As two forest saplings whose tops unite,—
A golden cover
Of lace bindeth Freyja the green tops over.

“My sire was a peasant, no earl nor king,—
Yet his memory will live while the poets sing;
In runic story
The grave-mounds are telling my ancestors’ glory.

“I could easily win me a crown and land,
But choose to remain on my native strand:
In battle wielding
My sword for the king, and the peasant shielding.

“On king Bele’s grave we are standing now,
He hears every word in the grave below,
With me he pleadeth,—
A dead father’s counsel a wise son heedeth.”

Then Helge uprose, and replied with scorn,
“Our sister was not for a peasant born,
To kings ’tis given
To strive for our Ingeborg, daughter of heaven.

“You boastfully call yourself chief of swords,—
Win men by violence, women bv words;
Boast not of slaughter,
For arrogance winneth not Odin’s daughter.

“My kingdom doth not seek protection from thee,
I shield it myself. My man wouldst thou be,—
A situation
Among my domestics befits thy station.”

“Thy servant! no, never!” was Fridthjof’s reply,
“My father had never a master—shall I?
From thy silver dwelling
Now fly, Angervadil, the insult repelling.”

In sunshine now glitters the blue steel blade,—
Displaying its letters in flaming red.
“My good sword loyal,
Thy lineage at least,” said Fridthjof, “is royal.

“And were it not now for the high grave’s renown,
Right here would I hew thee, swarthy king, down:
Yet will I teach thee
To come not again where my sword can reach thee.”

So saying, be severed at one fell blow
The gold shield of Helge which hung on a bough.
It fell asunder,—
Its clang on the grave-mound was echoed under.

“Well done, Angervadil. lie still and dream
Of high achievements,— meanwhile the gleam
Of rune-fires paling!
And now we’ll go home o’er the blue waters sailing.”

— Esaias Tegne’r, Fridthjof’s Courting

A Year of Poetry – Day 295

Slowly, without force, the rain drops into the
city. It stops a moment
on the carved head of Saint John, then slides on again, slipping
and trickling
over his stone cloak. It splashes from the lead conduit
of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about
in the sky?
Boom! The sound swings against the rain. Boom,
again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!

The room is damp, but warm. Little flashes swarm about
from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere’. Her hands
are restless,
but the white masses of her hair are quite still. Boom! Will
it never cease
to torture, this iteration! Boom! The vibration
shatters a glass
on the `etagere’. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing
red,
blood-red. A thin bell-note pricks through the silence. A
door creaks.
The old lady speaks: “Victor, clear away that broken
glass.” “Alas!
Madame, the bohemian glass!” “Yes, Victor, one hundred
years ago
my father brought it –” Boom! The room shakes,
the servitor quakes.
Another goblet shivers and breaks. Boom!

It rustles at the window-pane, the smooth, streaming rain, and he
is shut
within its clash and murmur. Inside is his candle, his
table, his ink,
his pen, and his dreams. He is thinking, and the walls
are pierced with
beams of sunshine, slipping through young green. A fountain
tosses itself
up at the blue sky, and through the spattered water in the basin
he can see
copper carp, lazily floating among cold leaves. A wind-harp
in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain
rears up
in long broken spears of dishevelled water and flattens into the
earth. Boom!
And there is only the room, the table, the candle, and the sliding
rain.
Again, Boom! — Boom! — Boom! He stuffs his fingers
into his ears.
He sees corpses, and cries out in fright. Boom! It
is night,
and they are shelling the city! Boom! Boom!

A child wakes and is afraid, and weeps in the darkness. What
has made
the bed shake? “Mother, where are you? I am
awake.” “Hush, my Darling,
I am here.” “But, Mother, something so queer happened,
the room shook.”
Boom! “Oh! What is it? What is
the matter?” Boom! “Where is Father?
I am so afraid.” Boom! The child sobs and
shrieks. The house
trembles and creaks. Boom!

Retorts, globes, tubes, and phials lie shattered. All
his trials
oozing across the floor. The life that was his choosing,
lonely, urgent,
goaded by a hope, all gone. A weary man in a ruined laboratory,
that is his story. Boom! Gloom and ignorance,
and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of
slime.
Wails from people burying their dead. Through the window,
he can see
the rocking steeple. A ball of fire falls on the lead
of the roof,
and the sky tears apart on a spike of flame. Up the spire,
behind the lacings of stone, zigzagging in and out of the carved
tracings,
squirms the fire. It spouts like yellow wheat from the
gargoyles, coils round
the head of Saint John, and aureoles him in light. It
leaps into the night
and hisses against the rain. The Cathedral is a burning
stain on the white,
wet night.

Boom! The Cathedral is a torch, and the houses next to
it begin to scorch.
Boom! The bohemian glass on the `etagere’ is no longer
there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk. She watches the creeping stalk
and counts.
Boom! — Boom! — Boom!

The poet rushes into the street, and the rain wraps him in a sheet
of silver.
But it is threaded with gold and powdered with scarlet beads. The
city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls. Smearing
its gold on the sky,
the fire dances, lances itself through the doors, and lisps and
chuckles
along the floors.

The child wakes again and screams at the yellow petalled flower
flickering at the window. The little red lips of flame
creep along
the ceiling beams.

The old man sits among his broken experiments and looks at
the burning Cathedral. Now the streets are swarming with
people.
They seek shelter and crowd into the cellars. They shout
and call,
and over all, slowly and without force, the rain drops into the
city.
Boom! And the steeple crashes down among the people. Boom! Boom,
again!
The water rushes along the gutters. The fire roars and
mutters. Boom!

— Amy Lowell, The Bombardment

A Year of Poetry – Day 294

If I could but forget
The fullness of those first sweet days,
When you burst sun-like thro’ the haze
Of unacquaintance, on my sight,
And made the wet, gray day seem bright
While clouds themselves grew fair to see.
And since, no day is gray or wet
But all the scene comes back to me,
If I could but forget.

If I could but forget
How your dusk eyes look into mine,
And how I thrilled as with strong wine
Beneath your touch; while sped amain
The quickened stream thro’ ev’ry vein;
How near my breath fell to a gasp,
When for a space our fingers met
In one electric vibrant clasp,
If I could but forget.

If I could but forget
The months of passion and of pain,
And all that followed in their train–
Rebellious thoughts that would arise,
Rebellious tears that dimmed mine eyes,
The prayers that I might set love’s fire
Aflame within your bosom yet–
The death at last of that desire–
If I could but forget.

— Paul Lawrence Dunbar, If I Could But Forget

A Year of Poetry – Day 293

Who hath his fancy pleased
With fruits of happy sight,
Let here his eyes be raised
On Nature’s sweetest light;
A light which doth dissever
And yet unite the eyes,
A light which, dying never,
Is cause the looker dies.

She never dies, but lasteth
In life of lover’s heart;
He ever dies that wasteth
In love his chiefest part:
Thus is her life still guarded
In never-dying faith;
Thus is his death rewarded,
Since she lives in his death.

Look then, and die! The pleasure
Doth answer well the pain:
Small loss of mortal treasure,
Who may immortal gain!
Immortal be her graces,
Immortal is her mind;
They, fit for heavenly places–
This, heaven in it doth bind.

But eyes these beauties see not,
Nor sense that grace descries;
Yet eyes deprived be not
From sight of her fair eyes–
Which, as of inward glory
They are the outward seal,
So may they live still sorry,
Which die not in that weal.

But who hath fancies pleased
With fruits of happy sight,
Let here his eyes be raised
On Nature’s sweetest light!

— Sir Philip Sidney, Song

A Year of Poetry – Day 292

Find the word, understand the word,
Depend on the word;
The word is heaven and space, the word the earth,
The word the universe.
The word is in our ears, the word is on our tongues,
The word the idol.
The word is the holy book, the word is harmony,
The word is music.
The word is magic, the word the Guru.
The word is the body, the word is the spirit, the word is being,
The word Not-being.
The word is man, the word is woman,
The Worshipped Great.
The word is the seen and unseen, the word is the existent
And the non-existent.
Know the word, says Kabir,
The word is All-powerful.

— Kabir, The Word

A Year of Poetry – Day 291

Simple Simon met a pieman,
Going to the fair;
Says Simple Simon to the pieman,
“Let me taste your ware.”

Says the pieman to Simple Simon,
“Show me first your penny,”
Says Simple Simon to the pieman,
“Indeed, I have not any.”

Simple Simon went a-fishing
For to catch a whale;
All the water he could find
Was in his mother’s pail!

Simple Simon went to look
If plums grew on a thistle;
He pricked his fingers very much,
Which made poor Simon whistle.

He went to catch a dicky bird,
And thought he could not fail,
Because he had a little salt,
To put upon its tail.

He went for water with a sieve,
But soon it ran all through;
And now poor Simple Simon
Bids you all adieu.

— Mother Goose, Simple Simon

A Year of Poetry – Day 290

BEFORE I trust my fate to thee,
Or place my hand in thine,
Before I let thy future give
Color and form to mine,
Before I peril all for thee, question thy soul to-night for me.

I break all slighter bonds, nor feel
A shadow of regret:
Is there one link within the Past
That holds thy spirit yet?
Or is thy faith as clear and free as that which I can pledge to thee?

Does there within thy dimmest dreams
A possible future shine,
Wherein thy life could henceforth breathe,
Untouch’d, unshar’d by mine?
If so, at any pain or cost, O, tell me before all is lost.

Look deeper still. If thou canst feel,
Within thy inmost soul,
That thou hast kept a portion back,
While I have stak’d the whole;
Let no false pity spare the blow, but in true mercy tell me so.

Is there within thy heart a need
That mine cannot fulfil?
One chord that any other hand
Could better wake or still?
Speak now—lest at some future day my whole life wither and decay.

Lives there within thy nature hid
The demon-spirit Change,
Shedding a passing glory still
On all things new and strange?
It may not be thy fault alone—but shield my heart against thy own.

Couldst thou withdraw thy hand one day
And answer to my claim,
That Fate, and that to-day’s mistake—
Not thou—had been to blame?
Some soothe their conscience thus; but thou wilt surely warn and save me now.

Nay, answer not,—I dare not hear,
The words would come too late;
Yet I would spare thee all remorse,
So, comfort thee, my fate—
Whatever on my heart may fall—remember, I would risk it all!

— Adelaide Anne Procter, A Woman’s Question

A Year of Poetry – Day 289

Celebrate our anniversary – can’t you see
tonight the snowy night of our first winter
comes back again in every road and tree –
that winter night of diamantine splendour.

Steam is pouring out of yellow stables,
the Moika river’s sinking under snow,
the moonlight’s misted as it is in fables,
and where we are heading – I don’t know.

There are icebergs on the Marsovo Pole.
The Lebyazh’ya’s crazed with crystal art…..
Whose soul can compare with my soul,
if joy and fear are in my heart? –

And if your voice, a marvellous bird’s,
quivers at my shoulder, in the night,
and the snow shines with a silver light,
warmed by a sudden ray, by your words?

— Anna Akhmatova, Celebrate