Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov’d boy.
Seven years thou’wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon ‘scap’d world’s and flesh’s rage,
And, if no other misery, yet age?
Rest in soft peace, and, ask’d, say here doth lie
Ben Jonson his best piece of poetry.
For whose sake, henceforth, all his vows be such,
As what he loves may never like too much.

— Ben Jonson, On My First Son

Bright star, would I were steadfast as thou art! –
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature’s patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors –
No -yet still steadfast, still unchangeable,
Pillowed upon my fair love’s ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever -or else swoon to death.

— John Keats, His Last Sonnet

No one lives in Golden Gully, for its golden days are o’er,
And its clay shall never sully blucher-boots of diggers more,
For the diggers long have vanished — nought but broken shafts remain,
And the bush, by diggers banished, fast reclaims its own again.
Now, when dying Daylight slowly draws her fingers from the “Peak”,
The Weird Empress Melancholy rises from the reedy creek —
In the gap above the gully, while the dismal curlews scream
Loud to welcome her as ruler of the dreary night supreme —
Takes her throne, and by her presence fills the strange, uncertain air
With a ghostly phosphorescence of the horrors hidden there.
None would think, by camp-fire blazy, lighting fitfully the scene,
In the seasons that are hazy, how in seasons gone between,
Diggers yarned or joined in jolly ballads of the field and foam,
Or grew sad and melancholy over songs like “Home, Sweet Home” —
Songs of other times, demanding sullen tears that would not start,
Every digger understanding what was in his comrade’s heart.
It may seem to you a riddle how a poet’s fancies roam,
But methinks I hear a fiddle softly playing “Home, Sweet Home”
’Mid the trees, while meditative diggers round the camp-fire stand.
(Those were days before Australians learned to love their native land.)
Now the dismal curlew screeches round the shafts when night winds sough;
Startling murmurs, broken speeches, shake each twisted, tangled bough,
And whene’er the night comes dreary, darkened by the falling rain,
Voices, loud and dread and eerie, come again and come again —
Come like troubled souls forbidden rest until their tales are told —
Tales of deeds of darkness hidden in the whirl of days of gold —
Come like troubled spirits telling tales of dire and dread mishaps,
Kissing, falling, rising, swelling, dying in the dismal gaps.
When the coming daylight slowly lays her fingers on the “Peak”
Then the Empress Melancholy hurries off to swamps that reek.
But the scene is never cheery, be it sunshine, be it rain,
For the Gully keeps its dreary look till darkness comes again.
As you stand beside the broken shafts, where grass is growing thick,
You can almost hear a spoken word, or hear a thudding pick;
And your very soul seems sinking, foetid grows the morning air,
For you cannot help believing that there’s something buried there.
There’s a ring amid the saplings by a travelling circus worn,
That amused the noisy diggers e’er the rising race was born;
There’s a road where scrub encroaches that was once the main highway,
Over which two rival coaches dashed in glory twice a day;
Gone — all gone from Golden Gully, for its golden days are o’er,
And its clay shall never sully wheels of crowded coaches more.

— Henry Lawson, Golden Gully

Help Lord, for godly men have took their flight,
And left the earth to be the wicked’s den:
Not one that standeth fast to Truth and Right,
But fears, or seeks to please, the eyes of men.
When one with other fall’s to take apart,
Their meaning goeth not with their words in proof;
But fair they flatter, with a cloven heart,
By pleasing words, to work their own behoof.

But God cut off the lips, that are all set,
To trap the harmless soul, that peace hath vow’d;
And pierce the tongues, that seek to counterfeit
The confidence of truth, by lying loud:
Yet so they think to reign, and work their will,
By subtle speech, which enters every where:
And say, our tongues are ours, to help us still,
What need we any higher power to fear?

Now for the bitter sighing of the poor,
The lord hath said, I will no more forbear,
The wicked’s kingdom to invade and scour,
And set at large the men restrain’d in fear.
And sure, the word of God is pure, and fine.
And in the trial never loseth weight;
Like noble gold, which, since it left the mine,
Hath seven times passed through the fiery straight.

And now thou wilt not first thy word forsake,
Nor yet the righteous man, that leans thereto;
But will’t his safe protection undertake,
In spite of all, their force and wiles can do.
And time it is, O Lord, thou didst draw nigh,
The wicked daily do enlarge their bands;
And that, which makes them follow ill a vie,
Rule is betaken to unworthy hands.

— Francis Bacon, Help Lord

Fire of the night, that brings my spirit day,
Shedding on Argos light, and dance, and song,
Greetings to fortune, hail!

Let my loud summons ring within the ears
Of Agamemnon’s queen, that she anon
Start from her couch and with a shrill voice cry
A joyous welcome to the beacon-blaze,
For Ilion’s fall; such fiery message gleams
From yon high flame; and I, before the rest,
Will foot the lightsome measure of our joy;
For I can say, My master’s dice fell fair-
Behold! the triple sice, the lucky flame!
Now be my lot to clasp, in loyal love,
The hand of him restored, who rules our home:
Home-but I say no more: upon my tongue
Treads hard the ox o’ the adage.

Had it voice,
The home itself might soothliest tell its tale;
I, of set will, speak words the wise may learn,
To others, nought remember nor discern.

— Aeschylus, Agamemnon

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman’s days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our wingèd horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud, 
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute to minute they live;
The stone’s in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse --
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be, 
Wherever green is worn, 
Are changed, changed utterly:
A terrible beauty is born.

-- W. B. Yeats, Easter, 1916