‘So the foemen have fired the gate, men of mine;
And the water is spent and gone?
Then bring me a cup of the red Ahr-wine:
I never shall drink but this one.

‘And reach me my harness, and saddle my horse,
And lead him me round to the door:
He must take such a leap to-night perforce,
As horse never took before.

‘I have fought my fight, I have lived my life,
I have drunk my share of wine;
From Trier to Coln there was never a knight
Led a merrier life than mine.

‘I have lived by the saddle for years two score;
And if I must die on tree,
Then the old saddle tree, which has borne me of yore,
Is the properest timber for me.

‘So now to show bishop, and burgher, and priest,
How the Altenahr hawk can die:
If they smoke the old falcon out of his nest,
He must take to his wings and fly.’

He harnessed himself by the clear moonshine,
And he mounted his horse at the door;
And he drained such a cup of the red Ahr-wine,
As man never drained before.

He spurred the old horse, and he held him tight,
And he leapt him out over the wall;
Out over the cliff, out into the night,
Three hundred feet of fall.

They found him next morning below in the glen,
With never a bone in him whole-
A mass or a prayer, now, good gentlemen,
For such a bold rider’s soul.

— Charles Kingsley, The Knight’s Leap: A Legend of Altenar

I don’t know if you’re alive or dead.
Can you on earth be sought,
Or only when the sunsets fade
Be mourned serenely in my thought?

All is for you: the daily prayer,
The sleepless heat at night,
And of my verses, the white
Flock, and of my eyes, the blue fire.

No-one was more cherished, no-one tortured
Me more, not
Even the one who betrayed me to torture,
Not even the one who caressed me and forgot.

— Anna Akhmatova, I Don’t Know If You’re Alive or Dead

Whenever you’re called on to make up your mind,
and you’re hampered by not having any,
the best way to solve the dilemma, you’ll find,
is simply by spinning a penny.
No — not so that chance shall decide the affair
while you’re passively standing there moping;
but the moment the penny is up in the air,
you suddenly know what you’re hoping.

— Piet Hein, A Psychological Tip

I know that the day will come
when my sight of this earth shall be lost,
and life will take its leave in silence,
drawing the last curtain over my eyes.

Yet stars will watch at night,
and morning rise as before,
and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments,
the barrier of the moments breaks
and I see by the light of death
thy world with its careless treasures.
Rare is its lowliest seat,
rare is its meanest of lives.

Things that I longed for in vain
and things that I got
—let them pass.
Let me but truly possess
the things that I ever spurned
and overlooked.

–Rabindranath Tagore, Last Curtain

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

— Wilfred Owen, Anthem for Doomed Youth

A noiseless, patient spider,
I mark’d, where, on a little promontory, it stood, isolated;
Mark’d how, to explore the vacant, vast surrounding,
It launch’d forth filament, filament, filament, out of itself;
Ever unreeling them—ever tirelessly speeding them.

And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,—seeking the spheres, to connect them;
Till the bridge you will need, be form’d—till the ductile anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul.

— Walt Whitman, A Noiseless Patient Spider

‘HOW shall I a habit break?’
As you did that habit make.
As you gathered, you must lose;
As you yielded, now refuse.
Thread by thread the strands we twist
Till they bind us neck and wrist;
Thread by thread the patient hand
Must untwine ere free we stand.
As we builded, stone by stone,
We must toil unhelped, alone,
Till the wall is overthrown.

But remember, as we try,
Lighter every test goes by;
Wading in, the stream grows deep
Toward the center’s downward sweep;
Backward turn, each step ashore
Shallower is than that before.

Ah, the precious years we waste
Leveling what we raised in haste;
Doing what must be undone
Ere content or love be won!
First across the gulf we cast
Kite-borne threads, till lines are passed,
And habit builds the bridge at last!

— John Boyle O’Reilly,  A Builder’s Lesson

O Rose! who dares to name thee?
No longer roseate now, nor soft, nor sweet;
But pale, and hard, and dry, as stubble-wheat,—
Kept seven years in a drawer—thy titles shame thee.

The breeze that used to blow thee
Between the hedgerow thorns, and take away
An odour up the lane to last all day,—
If breathing now,—unsweetened would forego thee.

The sun that used to smite thee,
And mix his glory in thy gorgeous urn,
Till beam appeared to bloom, and flower to burn,—
If shining now,—with not a hue would light thee.

The dew that used to wet thee,
And, white first, grow incarnadined, because
It lay upon thee where the crimson was,—
If dropping now,—would darken where it met thee.

The fly that lit upon thee,
To stretch the tendrils of its tiny feet,
Along thy leaf’s pure edges, after heat,—
If lighting now,—would coldly overrun thee.

The bee that once did suck thee,
And build thy perfumed ambers up his hive,
And swoon in thee for joy, till scarce alive,—
If passing now,—would blindly overlook thee.

The heart doth recognise thee,
Alone, alone! The heart doth smell thee sweet,
Doth view thee fair, doth judge thee most complete,—
Though seeing now those changes that disguise thee.

Yes, and the heart doth owe thee
More love, dead rose! than to such roses bold
As Julia wears at dances, smiling cold!—
Lie still upon this heart—which breaks below thee!

— Elizabeth Barrett Browning, A Dead Rose

A thing of beauty is a joy for ever:
Its lovliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o’er-darkn’d ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
‘Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
An endless fountain of immortal drink,
Pouring unto us from the heaven’s brink.

— John Keats, A Thing of Beauty (Endymion)