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A Year of Poetry – Day 266

The mountain sheep are sweeter,
But the valley sheep are fatter;
We therefore deemed it meeter
To carry off the latter.
We made an expedition;
We met a host, and quelled it;
We forced a strong position,
And killed the men who held it.

On Dyfed’s richest valley,
Where herds of kine were browsing,
We made a mighty sally,
To furnish our carousing.
Fierce warriors rushed to meet us;
We met them, and o’erthrew them:
They struggled hard to beat us;
But we conquered them, and slew them.

As we drove our prize at leisure,
The king marched forth to catch us:
His rage surpassed all measure,
But his people could not match us.
He fled to his hall-pillars;
And, ere our force we led off,
Some sacked his house and cellars,
While others cut his head off.

We there, in strife bewild’ring,
Spilt blood enough to swim in:
We orphaned many children,
And widowed many women.
The eagles and the ravens
We glutted with our foemen;
The heroes and the cravens,
The spearmen and the bowmen.

We brought away from battle,
And much their land bemoaned them,
Two thousand head of cattle,
And the head of him who owned them:
Ednyfed, king of Dyfed,
His head was borne before us;
His wine and beasts supplied our feasts,
And his overthrow, our chorus.

— Thomas Love Peacock, The War-Song of Dinas Vawr

A Year of Poetry – Day 265

Oh happy shades—to me unblest!
Friendly to peace, but not to me!
How ill the scene that offers rest,
And heart that cannot rest, agree!
This glassy stream, that spreading pine,
Those alders quiv’ring to the breeze,
Might sooth a soul less hurt than mine,
And please, if any thing could please.
But fix’d unalterable care
Foregoes not what she feels within,
Shows the same sadness ev’rywhere,
And slights the season and the scene.
For all that pleas’d in wood or lawn,
While peace possess’d these silent bow’rs,
Her animating smile withdrawn,
Has lost its beauties and its pow’rs.
The saint or moralist should tread
This moss-grown alley, musing, slow;
They seek, like me, the secret shade,
But not, like me, to nourish woe!
Me fruitful scenes and prospects waste
Alike admonish not to roam;
These tell me of enjoyments past,
And those of sorrows yet to come.
— William Cowper, The Shrubbery

Freedom’s Light

Liberty is a difficult concept to explain.  It’s a slippery term that means different things to different people.  It’s easy to stamp on, but to those who cherish it, it’s impossible to stamp out.  It’s a thing that must be exercised, and for that reason, anthologies like Freedom’s Light are important.

From the members and associates of the Conservative-Libertarian Fiction Alliance (CLFA) comes Freedom’s Light, a collection of short fiction that celebrates the human yearning for liberty. These stories will extol the value of human rights and the sacrifices of those who defend those rights. This collection features works from a wide variety of genres and a diverse set of authors, including Hugo Award nominee Brad R. Torgersen and 2016 Dragon Award winner Nick Cole. Freedom’s Light will entertain us and elevate the humanity we all share.

Freedom’s Light is an anthology of short fiction by members of the CLFA.  Within its pages, you’ll find works by Brad Torgerson, Nick Cole, and many other talented writers.  You’ll also a story by the hack who writes the DaddyBear’s Den blog.

I’ve read the book, and I’m honored to have my short story “Victory Garden” included with the stories by the other authors.  I’m proud of my own work, but it pales in comparison to the connection the other authors make with the reader.

Freedom’s Light is for the reader who wishes for things to be better and for people, all people, to be more free.  Proceeds from its sale will be donated to FIRE, an organization that works to support the rights of students across the nation.

If you need a good book to curl up with during a winter night, and you enjoy stories that will make you think about your freedoms and what they mean, I think you’ll like Freedom’s Light.

 

 

A Year of Poetry – Day 264

Fresh fields and woods! the Earth’s fair face,
God’s foot-stool, and man’s dwelling-place.
I ask not why the first Believer
Did love to be a country liver?
Who to secure pious content
Did pitch by groves and wells his tent;
Where he might view the boundless sky,
And all those glorious lights on high;
With flying meteors, mists and show’rs,
Subjected hills, trees, meads and flow’rs;
And ev’ry minute bless the King
And wise Creator of each thing.
I ask not why he did remove
To happy Mamre’s holy grove,
Leaving the cities of the plain
To Lot and his successless train?
All various lusts in cities still
Are found; they are the thrones of ill;
The dismal sinks, where blood is spill’d,
Cages with much uncleanness fill’d.
But rural shades are the sweet fense
Of piety and innocence.
They are the Meek’s calm region, where
Angels descend and rule the sphere,
Where heaven lies leiger, and the dove
Duly as dew, comes from above.
If Eden be on Earth at all,
‘Tis that, which we the country call.

— Henry Vaughan, Retirement

A Year of Poetry – Day 263

If thou must love me, let it be for nought
Except for love’s sake only. Do not say
‘I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day’—
For these things in themselves, Beloved, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.

— Elizabeth Barrett Browning, Sonnet XIV

A Year of Poetry – Day 262

What slender youth, bedew’d with liquid odors,
Courts thee on roses in some pleasant cave,
             Pyrrha? For whom bind’st thou
             In wreaths thy golden hair,
Plain in thy neatness? O how oft shall he
Of faith and changed gods complain, and seas
             Rough with black winds, and storms
             Unwonted shall admire!
Who now enjoys thee credulous, all gold,
Who, always vacant, always amiable
             Hopes thee, of flattering gales
             Unmindful. Hapless they
To whom thou untried seem’st fair. Me, in my vow’d
Picture, the sacred wall declares to have hung
             My dank and dropping weeds
             To the stern god of sea.

NFL and MMA and Bears. Oh my!

During a long-winded, dreary, and boring acceptance speech for a meaningless award of some sort or another, actress Merryl Streep, best known for movies that will make you want to open a vein so you can see color again, quipped that if you got rid of all the ‘creative’ people in Hollywood, all that would be left would be NFL football and mixed martial arts fighting to entertain us.

I won’t comment on Streep’s career, even though the only movie she appeared in which I enjoyed was “Death Becomes Her,” which is older than any of my children and to be honest, I watched for Goldie Hawn and Bruce Willis.  I will say that for someone who has made a pretty good living out of mouthing words written by someone else in the manner another person told her to do it, after an army of make-up, lighting, costume, editors, special effects, CGI specialists, and dark mages have poured their souls into making her look human, she’s got a lot of nerve to look down upon us unwashed masses and tell us we’re lucky we have her and people like her.

Now, let’s for the moment assume that we all wake up one morning and rejoice to find that the oasis of distraction that is Hollywood, along with everyone who works in it, has mysteriously disappeared in the night.  After the fireworks and parades, along with long bouts of celebratory drinking, have subsided, whatever shall we do with ourselves?

I mean, it’s not like there aren’t centers of music, art, culture, and just plain fun scattered across this great land.  Whether your tastes go towards Shakespeare, Shelly, Shecky, Shakur, or Shania, there’s something for everyone. You just have to turn your face away from the trainwreck that is California and look around you to find entertainment in your own back yard, or at least closer than Los Angeles.

“But, DaddyBear,” you object, “where would we get our films, movies, and video games?”

Why, gentle reader, fear not. There’s nothing a market likes as much as a vacuum to fill, and many entertainment companies, long oppressed by the torrents of titilation tumbling from the towers of Tinseltown, will rise up to continue the stream of remakes, reboots, rehashes, and re-do’s that Hollywood has been flooding our cinemas and televisions with for years.  Super hero, car chase, sparkly vampire, and suburban housewife escapist movies will be made, television from my childhood will still be raped reimagined, and we shall all go on taking our digital soma with or without the perfumed princes of Pacific Palisades.

Ms. Streep, it’s not we who are lucky to have you and your ilk. Rather, it’s you who are fortunate that so many people have been willing to subsidize your forty-plus year game of ‘let’s pretend.’  When you are gone, some of us, not me, but some, will feel bad for your passing, then will shrug and get back to work.

In the meantime, as a lifelong consumer of film, TV, and digital content, all I can say is this:  SKOL VIKINGS!

A Year of Poetry – Day 261

Through many countries and over many seas
I have come, Brother, to these melancholy rites,
to show this final honour to the dead,
and speak (to what purpose?) to your silent ashes,
since now fate takes you, even you, from me.
Oh, Brother, ripped away from me so cruelly,
now at least take these last offerings, blessed
by the tradition of our parents, gifts to the dead.
Accept, by custom, what a brother’s tears drown,
and, for eternity, Brother, ‘Hail and Farewell’.

— Gaius Valerius Catullus, Ave Atque Vale

A Year of Poetry – Day 260

Let us walk in the white snow
In a soundless space;
With footsteps quiet snd slow,
At a tranquil pace,
Under veils of white lace.

I shall go shod in silk,
And you in wool,
White as white cow’s milk,
More beautiful
Than the breast of a gull.

We shall walk through the still town
In a windless peace;
We shall step upon white down,
Upon silver fleece,
Upon softer than these.

We shall walk in velvet shoes:
Wherever we go
Silence will fall like dews
On white silence below.
We shall walk in the snow.

— Elinor Wylie, Velvet Shoes

A Year of Poetry – Day 259

Misted the flowers weep as light dies
Moon of white silk sleeplessly cries.
Stilled – Phoenix wings.
Touched – Mandarin strings.

This song tells secrets that no one knows
To far Yenjan on Spring breeze it goes.
To you it flies
Through the night skies.

Sidelong – Eyes. How
White tears fill now!
Heart’s pain? Come see –
In this mirror with me.

— Li Po, Yearning